Chantel Matthews sculptural practice discusses social, political, and cultural concerns through her own subjectivity as a woman, mother, artist, and Wahine Māori. Through process-led exchanges, experience is located at the centre as story-telling mechanisms, contributing to objects in the making that become both ‘things’ and ‘matters of her concern.’  

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Chantel works and resides in Aotearoa, New Zealand.

( Ngati Koata, Tainui Awhiro)

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At the Foot of the Maunga: Whanui Auckland Arts Festival 2020, Prelude:Gow Langsford 2020,AUT Head of School Award 2019, BC Collective Indigenous Award 2019,What's inside matters: Silo6 2019, The Artist and the Undertaker: Auckland Art Gallery 2019,Emergent:See Lake House Arts Gallery 2019, Bystander of Tomorrow: Nathan Homestead Manurewa 2016.  Atamira Maori in the City: Shed 10, Auckland City 2013, Ferrari 2013, Muka: Te Noho Kotahitanga Marae 2012.

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Media

Changing Landscape of Glen Innes

Review: EyeContact

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Contact: 

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